Tag: english paper piecing

Posted on by

English Paper Piecing – Double wedding ring style!

A picture of a quilt with the same pattern as it.


Good morning!  So many milestones going on in our household this week–our little girl turned 6 months last week (How has it already been half a year???) I celebrated my first mother’s day, started the baby on her first solid foods, and it’s my husband’s birthday this week.  Needless to say, it’s been super busy, and I feel like I’ve been to the grocery store almost every day this week.  Do they give frequent flier miles for multiple grocery store trips in one day?  I should also mention we live 12 miles from the nearest grocery store…  I’m sure you can relate to the feeling that you’re flying by the seat of your pants on household chores and checklists.  Laundry, dishes, etc., etc., but I wouldn’t trade it for the world!

One of the many reasons I love English Paper Piecing is the opportunity to slow down and enjoy the process of hand sewing.  I also love combining multiple parts of the sewing and design process and planning out a project from start to finish.  There is something so satisfying in making something completely from start to finish…even if it sometimes feels like you’re recreating the wheel.  

A picture of a quilt with the same pattern as it.


I started by sitting down with my EQ7 software and designing a mini quilt for our local Modern Quilt Guild.  We recently had our first silent auction event and mini quilt show (SO FUN!).  Then I printed templates onto cardstock for the EPP pieces and started thinking about my fabrics.  I had a great charm pack of Kaufman Kona Cotton Solids that I had been holding onto for over a year, and thought this would be a great opportunity to use it.  I traced and cut out my fabrics, and then had to pause when I selected my background fabric. 

A table with scissors and some paper cut outs


I knew I didn’t want white, and I really like the effect black and white patterned fabrics have with solids.  So I auditioned a few different fabric choices–I really thought I wanted to go with a black and white stripe, but I opted for a more solid-reading print instead.  I pieced together a few of the DWR pieces and then placed them on top of my background fabric choices.  Pictured below is what I thought I was going to go with, but I instead selected a Tula Pink True Colors black and white print.  Because…Tula!!!

A black and white pattern with blue, green, and turquoise colored paper.

From the basic design in EQ7 (They already have the blocks drawn up…I just sized them to fit my needs), printing the cardstock, then cutting the fabrics, I got to take a breath and piece in my leisure time.  HA.  Leisure time…You know what I mean.  The semi-quiet moments in the house when my hair wasn’t on fire 😉

A colorful paper strip with a pattern of circles.

Then I loaded the mini on my longarm and did some simple stitch in the ditch around the wedding rings and some loopy swirl combos on the black and white background that blend nicely.  It may seem kind of dumb to longarm a mini quilt, since you need a little bit more backing fabric than you would if you were to quilt it on a domestic, but I figured I paid for that huge machine and I’m going to get my money’s worth!  Plus, I had just taken a fresh quilt off of the frame, and I had to take advantage of it before I loaded my next quilt.  It made for a slightly quicker finish than if I’d done it on the domestic sewing machine.
A close up of the floor with colorful circles on it

I was thrilled with the results, and playing with the color gradation and high-contrast background was really a lot of fun.  But mostly, I was able to really enjoy the process and each step along the way.  I don’t know about you, but from the day I started sewing, I’ve always eyed the double wedding ring quilts.  I’m not sure I have the patience at this point in my life to see a full-sized quilt through, so this mini quilt was the perfect opportunity for me to cross a DWR quilt off my quilting bucket list.  I had also never taken the time to hand piece curves before, but it wasn’t as bad as I thought it might be.  Really, I had built it up to be this super scary moment, when all you really need to do is take a little extra time and carefully mark the centers of each EPP piece prior to piecing it, and make sure you line the centers up while adjusting the curves.  

I hope your sewing adventures take you somewhere awesome this week, and try to slow down and enjoy the process behind what you’re doing.  I know I really enjoy the projects where I can slow down a bit and take a break from the hustle and bustle of life.  Happy sewing friends!

Posted on by — 1 Comment

My Millefiori


You can probably tell that I like to dabble in all things quilty.  Last summer, I decided that I wanted to conquer English Paper Piecing.  What I didn’t realize at the time was that EPP is extremely addictive because you can take it anywhere…it’s easy to do on the couch while watching tv, great for road trips (when you aren’t driving), and can also be done at social gatherings.  

When people hear “EPP” or English paper piecing, many probably envision little hexagons, endearingly called “hexies” pieced together with traditional or reproduction fabrics that may end up looking a little dated.  I’m not crazy about that look, but I LOVE Willyne Hammerstein’s book Millefiori Quilts.  (And now there’s a second book to follow the first.)  In the first book, one quilt pattern in particular caught my eye–the “La Passacaglia”.  It combines pentagons, triangles, diamonds, and other shapes to create a myriad of rosettes that are breathtaking.  I will say there is a slight drawback if you are using the practice of fussy-cutting (positioning your templates on specific motifs on the fabric to create another design), and that is using fabric yardage inefficiently.  But you’ll be making scraps for other projects as you go, so really, it’s a win-win!  

Here are a couple of pictures of some of my completed rosettes.

These all show really great examples of using fussy-cutting with your epp. I really can’t wait 
to finally finish my quilt top.  I have all the pieces sewn together for the standard design by Hammerstein, but didn’t like the fact that I would be chopping several rosettes in half to square up the top.  So I opted to fill in the rest of the quilt to be even with the rosettes that stick out…the quilt top is really pretty small when you consider how much time and cutting goes into it.  

I laid out my quilt top on a piece of foam board and pinned it so it wouldn’t shift, then used the paper pieces to fill in around the edges.  I probably should really look into documenting the layout better than I did, but for now I just have some pictures on my phone.  I’ll share those with you once I have completed and know the layout works, so if you want to do the same thing you can!  

I started this project in December 2014 and finished Hammerstein’s layout in September 2015.  I’m not sure when I’ll finish the fill-in part, but hopefully it’s soon, because I am dying to quilt this thing!  

If you’re looking for other pictures of some really awesome La Passacaglia quilts, you should check out the following Instagram users: @kamiemurdock, @lilabellelane, @izy_sewbusy to name just a few.  You can also search the hashtag #lapassacaglia for some really inspiring pictures!